I have a small, fuzzy, extremely warm kitten on my chest and—saints be praised–her older sister napping at the foot of the bed. They have been in the same room for several hours without a single skirmish, without hissing, growling, laid-back ears or bugged-out eyes. Maybe there is light at the end of this tunnel.
Speaking of light . . .
I’ve been looking through the screencaps from the Cinemax interview. If you haven’t seen them yet, RA Central has them posted in their gallery:
I’ve been thinking about Richard’s face. A good face, and I don’t just mean the juxtaposition of those elegant cheekbones, firm jaw, classical aquiline nose and long-lashed eyes. It is certainly aesthetically pleasing.
But there’s more. There’s the humor and humility, the passion for his craft, the intelligence, the polite and thoughtful nature, all those qualities that animate his striking features and bring a beautiful light into those eyes with their ever-changeable color.
It’s a face that expresses so much and yet also keeps us guessing. The face of a private man who leads with his feelings in his chosen profession. A face that is somehow ageless and timeless. A face that holds such an arresting masculine beauty that even when the subject is tired as he appears to be in the interview, it’s still quite enough to take one’s breath away.
And the smiles . . . oh, those smiles. Reflected in the eyes, accompanied by crinkles, radiating bonhomie. It really is true. Whenever I see RA’s smiling face, I have to smile myself . . . I just can’t resist.
Yes, an awfully good face. And, I believe, a good man. Can’t wait for more people to discover his powerful, magnetic, kick-ass performance as Sgt. Porter.