Tag Archives: Richard Armitage Central

“There’s a place for a bit of silliness in all our lives.” Richard’s BBC Radio interview

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http://richardarmitagecentral.co.uk/richard-on-bbc-radio-2/

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Photo tweeted by the radio station today of guests RA and Chinese Mike. I think RA should have a higher opinion of his own fashion sense. 😉

It “wasn’t for want of looking and trying” in terms of returning to the theatre after 13 years, Richard said today during his brief radio interview with BBC Two.  He sounded relaxed, in good spirits and in a good place in his life.

(Naturally, my internet chose to crash right about the time he came on, so I missed the entire thing. Hooray for the speedy folks at RA Central for already having it up!)

I do have to say it seems as if the right play, the right venue, the right director and the right cast all came together at the right time for Richard’s return to the stage. I continue to be so pleased and happy for him and all the accolades he’s received from critics and audience members alike.

And there is still a certain smug part of this fangurl who curls her lip at the naysayers and crows, “TOLD you so.” Oh, and to the Spooks blogger who once snidely remarked “the verdict was still out as to whether or not Richard Armitage can actually act?” Well, my dear, the jury has returned and it’s unanimous. He really CAN. And he always could. He’s just gotten even better with age and experience, that’s all.

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One of the things I adore about RA is that he takes his craft seriously and really dedicates himself to the roles–himself, not so much. He has the ability to see the silliness, the absurdity in life and recognizes we all need a bit of silliness now and again. Sir, I salute you! Your lack of pomposity and over-inflated ego is most refreshing.  And now, for a bit of my own silliness . . .

 

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I saw RA on American TV again.

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OK, it was actually in Shakespeare Uncovered, a six-part miniseries that originated on the BBC that combines “history, biography, iconic performances, new analysis and the personal passions of its celebrated subject” (so says the PBS website). I watched the first two eps in the wee hours of the morning, with Ethan Hawke focusing on Macbeth and Joely Richardson (with able assistance from her mother, Vanessa Redgrave) hosting an hour devoted to some of Shakespeare’s comedies. I very much enjoyed both–lots of food for thought and wonderful to see so many of my favorite actors emoting the Bard’s timeless words– and have them DVRed so I can revisit when I like.

My fellow Americans should check your local PBS listings if you want to join in on viewing this impressive series.

The first ep with Hawke featured snippets of various filmed and televised performances from over the years, including the Antony Sher production for the RSC with Richard playing the role of Angus. The blog post I recently did on RA with a compilation of his clips is linked below (“RA in the Scottish Play“) if you happened to miss it.

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I admit I squeed with delight when I saw that handsome bearded young man in military costume seated at the table and had to share the moment whilst chatting on Twitter at 1:30 a.m. Yep, should have been asleep. Downton Abbey sort of put a kibosh on that (as mentioned in previous post, not a cheery ep).

He’s gone from the background to the forefront, and I am so very, very proud of him. More handsome, more confident, more charismatic than ever and such an amazing talent that goes from strength to strength.  It’s wonderful to look back and to ponder what may lie ahead for my favorite actor.

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